Art and Craft Activities

Week 2 Family Art and Craft – Eater Bunny!

Easter Bunny Mask Example photo with ears and handle

We are sorry not to see you all at the museum for our Easter Family Fun activities.  We thought you might be missing the museum as much as we are so why not have a go at the Easter Activity at home?

If you would like to have a go at one of the activities at home, here’s the Easter Bunny Mask Template 1 for our Easter Bunny Mask – it’s simple and fun to make at home.

 

 

 

Resources you’ll need

  • sheet of paper or card
  • printer (if not you can draw out the template
  • glue
  • cotton wool and any other materials to make your bunny as fun as possible.
  • string or strip of card

All you need is a sheet of paper or card.  You can print the template off, colour it in and cut it out.  If you don’t have a printer just have a go at drawing it yourself – you can even fold the paper in half lengthways so you just draw half the bunny face, then cut it out while still folded to give you the whole mask!

If you have glue you could add cotton wool and any other materials to make your bunny as fun as possible.  Just tie on some string or staple a strip of card from a cereal box on the side to make a handle to hold the mask in front of your face!  Happy Easter!!

Art and Craft Activities

While you are staying at home we thought we would share some great craft activities you could do!

Week 1: Big letters

Big letters - Family

Leanne has been making some art resource boxes for the museum.  Lots of the ideas in it are very simple things you can do at home with everyday things.  To start off, try this big letter activity – think of a word that means a lot you and have fun GOING BIG WITH IT!!

Resources you’ll need

  • paper or card (cereal boxes are perfect)
  • pencil, colouring pens or pencils
  • scrap material
  • coloured paper
  • glue

Draw outlines of your letters on card – don’t worry about making them perfect – think about turning a letter into a bubble shape.  Decorate the letters any way you like by colouring them in, sticking things to them etc.  You can keep them separate and stick them up, or make a little hole in them then thread them on to wool or string to hang up.

Here are some ideas for you:

  • The Y is made from sticking on buttons
  • The F uses fabric we had lying around
  • The L is made from felt
  • The M uses tissues screwed up into little balls and stuck on
  • The A and I are painted

Get creative and share your words with us!

Singing in the Wilderness

Swinging in the wilderness poster

 
Where: St John’s C of E Primary School, High Road, Buckhurst Hill, IG9 5RX

When: Saturday 29 September

Time: 3pm – 7pm

Price: Free (some activities may be charged for; all money raised will go to the school)

Everyone welcome

 

 

 

Epping Forest District Council’s Museums, Heritage and Culture team and St John’s C of E Primary School, Buckhurst Hill are hosting an event to celebrate the life and work of local artist Walter Spradbery.

IMG_1022 Open Air SocialIn 1938, Spradbery and his wife Dorothy held an ‘Open Air Social’ with stalls, sideshows, donkey rides, traditional dances and art displays. This will be recreation of that event on its 80th anniversary.

There will be a specially choreographed dance performance by Flux Dance Collective who has been working with pupils from the school to create a piece inspired by Spradbery. A historical interpreter will play the role of Walter Spradbery, leading tours into the wilderness to visit the site where the house once stood. The day will end with a fun performance by Impropera, the world’s only improvised Opera Company. Buckhurst Hill Community Association will have an art display, and there will be a small exhibition about Walter Spradbery.

1997-240

The Wilderness

 

He lived next door to St John’s C of E Primary School, in a house known as ‘The Wilderness’ from 1929 – 1969. The site is now part of Epping Forest and a stone plaque marks where the house once stood.

 

 

spradbery-events-flyer-front.jpg

This event is part of a programme of activities for the ‘Walter Spradbery, Artist in War and Peace’ exhibition, at Epping Forest District Museum, Waltham Abbey; on display from Saturday 21 July to Saturday 22 December 2018. For more information visit http://www.eppingforestdc.gov.uk/museum

 
Walter Spradbery
Spradbery is best known for his poster designs for London Transport, one of which was recently used on the new signboards marking the boundaries of Epping Forest. He and his wife, opera singer Dorothy D’Orsay, also held many musical and opera performances in the gardens of ‘The Wilderness’ for the local community.
Spradbery was also a committed pacifist. He served in the Royal Army Medical Corps during the First World War, receiving the Distinguished Conduct Medal for his bravery in rescuing injured comrades under intense enemy fire.

First World War Art on display at Epping Forest District Museum

For the first time in nearly 100 years, some of the art that was originally created for the first Imperial War Museum exhibition at the Crystal Palace is on show again at Epping Forest District Museum in Waltham Abbey.

Shortly after the Armistice in 1918, several artists were commissioned to create art for the Army Medical Gallery in the exhibition.  Among these were local artists, Walter Spradbery and Haydn Mackey.  Both were pacifists so had signed up to serve in the Royal Army Medical Corps at the outbreak of war.  Their role would be to save life rather than take it but they were at no less risk of danger and death, receiving medals for their bravery in rescuing comrades under intense enemy fire.

1996.49.3 Sunet on the Somme.jpg

Spradbery tended to paint more landscapes and the effect of light.  This image of the Somme in April 1918 contrasts with the scenes we usually associate with the area – muddy, war torn battlefields.

Their experience meant they were able to create very strong paintings of their time on the front line.  Spradbery’s watercolours showed the effects of war on the landscape, while Mackey produced some monumental portraits of soldiers, praised at the time as being ‘a most powerful and truthful portrayal of the conditions of modern war, eloquent in persuasion against a recurrence of such things.’

1996.70 Crystal palace

This is Spradbery’s painting of the Imperial War Museum display at the Crystal Palace.  This was the museum’s first exhibition.  Spradbery and Mackey were commissioned to create art for the displays, but this is possibly one of the only paintings of the exhibition itself.  The exhibition opened in 1920 and closed in 1924.  4 million people came to see it.

 

 

 

The Great War exhibition opened at the Crystal Palace on 9 June 1920.  Its purpose was to record the ‘toil and sacrifice’ of Britain and the Empire in the Great War.  The building was crammed with displays of artwork, weapons, models, uniforms, photographs and all manner of things connected with the war. By 1924 four million people had seen the exhibition.

When the exhibition closed some of the art remained in the collections of the Imperial War Museum when it moved to its new location.  Others were transferred to the Wellcome Trust.  Sketches that Spradbery made for the exhibition works are now in the collections of Epping Forest District Museum.  As part of the special exhibition, ‘Walter Spradbery, Artist in War and Peace’, reproductions of some of the art including Mackey’s monumental works can be seen hanging alongside loans from the Imperial War Museum to recreate this incredible display of art and the role it played in recording the memory of the Great War for generations to come.

The exhibition ‘Artist in War and Peace: Walter Spradbery 1889 – 1969’ runs from 21 July 2018 until 22 December 2018. 

Epping Forest District Museum, 39 – 41 Sun Street, Waltham Abbey, EN9 1EL Open Monday, Tuesday, Wednesday and Friday 10am to 4pm and Saturday 10am to 5pm.

 

Adult art workshops at Epping Forest District Museum

Adult art workshops at Epping Forest District Museum.

For the first time Epping Forest District Museum is offering art workshops for adults, led by professional artists this September, as part of the Paths Unseen project.

Poetry workshopPaths unseen capturing a moment in poetry 2017

In this adult workshop you will create beautiful and powerful written works of art that will capture your thoughts, feelings and memories using poetry techniques with performance poet Keely Mills. You will also get a chance to develop written, performance and craft skills.

Where: Epping Forest District Museum, 39 – 41 Sun Street, Waltham Abbey, EN9 1EL

When: Saturday 23 September 2017

Time: 10:30am – 3pm

Price: £20 (includes materials)

Booking required

 

Paths unseen illustrate a moment 2017.jpgIllustration workshop

Lead by illustrator Jef Winter, in this adult workshop you will discover the fun of drawing and learn how to draw faces using just numbers to create different emotions, break down barriers of what illustration is and how ‘happy accidents’ can make works of art.

Where: Epping Forest District Museum, 39 – 41 Sun Street, Waltham Abbey, EN9 1EL

When: Saturday 30 September 2017

Time: 10:30am – 1pm

Price: £15 (includes materials)

Booking required

 

3AAC Low res web posterThree Acres and a Cow

Connecting the Norman Conquest and Peasants’ Revolt with fracking and our housing crisis via the Enclosures and Industrial Revolution, the show draws a compelling narrative through the people’s history of Britain. Part talk, part folk club sing-a-long; come and share these tales as they have been shared for generations.

 

Where: Lopping Hall, 189 High Road, Loughton, IG10 4LN

When: Saturday 21 October 2017

Time: 6pm (meal)

7pm (performance starts)

Price: £5 (£9 with a meal)

Booking required

 

Booking information

To book your place visit https://eppingforestdc.bookinglive.com/ or call 01992 564226 (Monday – Friday 10am – 4pm).

 

Paths Unseen project

Paths Unseen shows how poetry can be a shared sociable activity. Over the past 18 months performance poet Keely Mills and illustrator Jef Winter have engaged with many individuals and groups from across the local community enabling them to write, tell their own stories and share their work in their own voices.

Inspiration has also come from local folklore, encouraging museum audiences to consider art as a medium for rediscovering local history.

The exhibition is at Epping Forest District Museum until 30 September 2017.

Paths Unseen project has been funded by Arts Council England.

 

Museum on the Move reopens

11201810_1288186537863313_6734758118269799242_nEpping Forest District Museum reopened it’s doors to the public on Saturday 19 March 2016 after a 2 year long Heritage Lottery funded redevelopment.

The bells of Waltham Abbey Church rang as reenactors from the 44th East Essex Regiment marched up Sun Street towards the museum.

Party atmosphere

A party atmosphere was enjoyed by all who came to celebrate the museum’s special day. They were treated to a jive dance demonstration and a morris dancing display by the Chingford Morris Men in Sun Street.

Over 750 people visited the museum, they enjoyed activities including decorating eggs in the new community space, and were given access to all the museum’s new galleries for the first time.

Welcome back

Museum staff were thrilled with the positive feedback they received. Comments include “Big improvement, proud to live in the Abbey” and “Welcome back! We’ve missed the museum and love the new look!

Museum on the Move

The museum team also celebrated the reopening of the museum by making a film showing what has been going on behind the scenes. The ‘Museum on the Move’ film also features as part of the museum’s first temporary exhibition all about transport through history.

 

Artwork of the month – John Varley

John Varley

John Varley

John Varley was a British artist born in London in 1778. He was an English landscape painter mainly working in watercolour.

Varley was working at a time of transition and his work shows the transition from tinted drawing to the more fluid and bolder watercolour painting that took hold in the 19th century.

In 1798 he exhibited a highly regarded sketch of  Peterborough Cathedral at the Royal Academy  and became a regular exhibitor at the RA. In 1805 the Old Watercolour Society (OWS) was founded and as a founding member of the OWS Varley exhibited over 700 drawings there.

As well as being an artist, Valey was a teacher with pupils including Copley Fielding, David Cox, John Linnell and William Turner (artist) of Oxford.

He died in London in 1842.

Varley’s work is represented in many major museum collections including the Victoria and Albert Museum.

John Varley
This image, part of Epping Forest District Museum’s collection, is one of a number of studies of the church made by the artist, showing the path along the south side of the church.

James Paul Andre’s Sketches

James Paul Andre the Younger was a London based artist, active between the years 1823 and 1867. He painted landscapes of many English counties in oil. His work was exhibited at the Royal Academy, Suffolk Street Gallery and the British Institution. Among some of his listed works are views of Woodford Bridge, Loughton Church and Hainault Forest.

Below is a selection of images from an album of works by Andre in the museum’s collection.

The Windmill at Chigwell Row

Windmill at Chigwell RowThis Windmill stood about 270 yards south-east from the south side of Lambourne Road opposite the junction with Vicarage Lane. The first mill here was erected in about 1610. The mill was struck by lightning in 1842 and burned down.

The James-Paul André album of watercolours shows four views of the windmill, three of the mill and its immediate surrounding area, and a fourth from a distance, possibly painted from near the top of Manor Road at the junction of Hainault Road and Fencepiece Road.

Hainault Forest

Hainault Forest

For over six hundred years Hainault Forest was part of Waltham Forest. All this changed in 1851 when an Act of Parliament was passed for the disafforestation of Hainault Forest, and this led to the destruction of 100,000 oak, hornbeam and other trees. The cleared land was sold for farms. A little woodland remained to the north of the King’s Wood, mostly in Chigwell and Lambourne parishes. However, by 1900 the bulk of the remaining woodland was in the private ownership of the Lockwood family of Bishops Hall, at Lambourne. Edward North Buxton, who had played a key part in the fight to save Epping Forest in the 1870s, could see the need to secure the last remnants of Hainault Forest as an open space for the public. In 1902 he persuaded the London County Council to purchase 801 acres of land formerly Hainault Forest in Lambourne and Chigwell and Foxburrows Farm. The ‘new’ Hainault Forest which exists today was formally dedicated as a public open space in July 1906.

Snaresbrook

snaresbrook-early-moonlight

The Eagle Pond at Snaresbrook is an ancient pond that is shown on maps surveyed in 1773 (Chapman & André) and 1745 (Rocque). It was formed in the early eighteenth century by damming the valley of the ‘Snares Brook’ and was at that time called ‘Snares Pond’. It adjoins the Snaresbrook Road that runs west from the Eagle Hotel, once a coaching inn on the main Woodford Road from London to Newmarket until 1829.

The watercolour painted by James Paul André in 1839, shows the pond from the west end. In the distance can be seen the Eagle Inn. Today the east end of the pond is shrouded with trees but the Inn can still be seen directly opposite the end of the Snaresbrook Road. The Royal Infant Orphanage was yet to be built at the time the picture was painted.

‘Near Loughton’

Near LoughtonThe picture shows the head of a lane, descending into a valley, and in the distance a substantial mansion with a red-tiled roof. The most likely location from which André painted this picture is at Rolls Corner on the Chigwell to Abridge Road, looking down Chigwell Lane. The house in the picture may be the artist’s impression of Loughton Hall which had been burned down in 1836, and which was not replaced until 1876.

New Touring Exhibition – Mythical Creatures

Mythical Creatures is a NEW regional touring exhibition produced by Epping Forest District Museum and co-curated by students from Epping Forest College. Mythical Creatures is funded by Arts Council England and Royal Opera House Bridge. This exhibition is free to hire for venues in the East of England.

Here are some photographs from the exhibition.

Artwork of the Month – Octavius Dixie Deacon

Octavius Dixie Deacon, a Loughton Artist



Goldings Hill, Loughton

Octavius Dixie Deacon was born at Bow in 1836. His father owned Samuel Deacon and Co., an advertising agency which Octavius described as the oldest in England, established in 1812.

We know very little of his early life; however, with the media contacts of the family business they must have been kept up to date with the latest events and the latest celebrities.  

Octavius Dixie Deacon married Louisa Anna Horncastle in 1868.  The young couple lived in Stoke Newington where their first child, Elgiva, was born, moving to Grove Street in South Hackney and then to Goldings Park Road (now Goldings Road), Loughton in 1874.  Their house was the first on the south side of the road and had a 200 ft long garden.  They lived there until 1888.


By 1888, the Deacon family had moved to the top of Upper Park Road.  Their new house, Kettering, had been largely designed by Octavius himself, although the project was managed by Edmond Egan, the Loughton based architect who designed the Lopping Hall.  This house was demolished in the 1980’s.

In 1998, Epping Forest District Museum acquired a collection of letters, books and sketchbooks connected with Octavius Dixie Deacon and some of his large family of nine children.

The drawings and pictures in this collection show life in a small rural village in Victorian times.  From examining Deacons’s sketches, one gets an image of a caring and loving family.  Octavius often recorded his children’s lives in his drawings and also produced sketches for their entertainment.

Octavius Deacon died on December 13, 1916.